

@G&P
(*) all RAREMOOD.com GUIDES are written by IRCAS (Intl. Research Centre for Applied Sustainability)
Ten natural wall finishes you may never have considered
The walls of your home are not neutral surfaces; they are living organs that breathe, regulate humidity, and protect against bacteria. Industrial plastic paint seals them shut. Mediterranean building tradition, by contrast, has handed down a repertoire of breathable finishes that contemporary bio-architecture is now rediscovering. From Moroccan tadelakt to flower-pigment stucco, from beeswax on fresh lime to potassium silicate paint: ten techniques, each with a name, an artisan, and a history; each still working today — and better than one might expect.

beeswax column

Tadelakt
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The most beautiful museum shops: why the best travel souvenirs are found there
A museum shop is not simply the exit visitors must pass through once the culture is over; it is the last room of the exhibition. From Madrid to Vienna, and from New York to Zurich, Isabella Goldmann explains why the most precious travel souvenir is the one bought there, among pieces commissioned from local artisans and books we will never find again.
Sleeping inside history: inns and hotels that restore rather than build
The most contemporary gesture in hospitality is to build nothing at all. From Madrid’s Gran Hotel Inglés, which began life as a café in 1853, to Thompson Rome, in the former headquarters of the Italian Communist Party on Via delle Botteghe Oscure, and on to the alpine and lagoon inns that keep their wrinkles, Raremood explores why the greenest building is the one that already exists, and why the history of a room cannot be manufactured.

Ten crafts at risk of disappearing, and where to still find them in Italy
Crafts have never had so many admirers, yet Italy has lost one artisan in four in ten years. From the plaster of Milan to the iron of Stia, this guide presents ten crafts at risk, the places where they can still be found, and the detail that makes each one recognizable. A museum preserves the object, but only the customer preserves the craft.
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